<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>ameliamontes.com</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/" />
    <link rel="self" type="application/atom+xml" href="http://ameliamontes.com/atom.xml" />
    <id>tag:ameliamontes.com,2009-08-03://1</id>
    <updated>2010-05-09T15:23:57Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.3-en</generator>

<entry>
    <title>Ms. Magazine&apos;s Workshop for Feminist Scholars:  What I Learned</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/05/what-i-learned-at-ms-magazines-workshop-for-feminist-scholars.html" />
    <id>tag:ameliamontes.com,2010://1.56</id>

    <published>2010-05-08T23:15:23Z</published>
    <updated>2010-05-09T15:23:57Z</updated>

    <summary><![CDATA[Pictured top from left to right: &nbsp;Alesha Doan, Mako Fitts, Nicole Guidotti Hernández, Lori Baralt, Kathy Spillar (Ms. Executive Editor), Audrey Bilger, Irma McClaurin (Ms. Committee of Scholars), Elizabeth Kissling, Michel Cicero (Ms. Managing Editor), Amelia M.L. Montes. Pictured sitting...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="education" label="education" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mediaoutlets" label="media outlets" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="msmagazine" label="Ms. Magazine" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="writing" label="writing" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="group small.jpg" src="http://ameliamontes.com/group%20small.jpg" width="320" height="213" class="mt-image-none" style="" /><br /><div><span class="Apple-style-span" style="text-decoration: underline; ">Pictured top from left to right:</span> &nbsp;Alesha Doan, Mako Fitts, Nicole Guidotti Hernández, Lori Baralt, Kathy Spillar (Ms. Executive Editor), Audrey Bilger, Irma McClaurin (Ms. Committee of Scholars), Elizabeth Kissling, Michel Cicero (Ms. Managing Editor), Amelia M.L. Montes. <span class="Apple-style-span" style="text-decoration: underline;">Pictured sitting row left to right:</span> Pamela Redela, Marla Kohlman, Michele Kort (Ms. Senior Editor), Karina Eileraas, Jessica Stites (Ms. Asst. Managing Editor), María Ochoa. &nbsp;</div><div><br /></div><div>These are our Ms. Magazine Feminist Scholars who met in Los Angeles! &nbsp;What an amazing group of women from universities and colleges across the country. &nbsp;We spent this weekend together learning how to think differently about our research. &nbsp;This is what I learned:</div><div>--As scholars, we need to have a more strategic approach toward accessing public readers</div><div>--Our goal is to advance public knowledge</div><div>--It's not about educating the public. &nbsp;The public "is" smart. &nbsp;It's about advancing knowledge vs. educating them</div><div>--Oftentimes our research, although important to scholarly audiences, is irrelevant to the general public</div><div>--Learning to write for both a scholarly audience and general public is the key&nbsp;</div><div>--It is time to reclaim our positional power and reach everyone! &nbsp;</div><div><br /></div><div>And how do we do this? One of the key changes is--taking the step in actually contacting the expert/scholar to get the quote instead of searching archives for the journal article quotation --timeliness is the key in reaching readers via media outlets like Ms. Magazine, our blogs, the web, twitter. Our students are there already--we need to reach them! &nbsp;And we will! &nbsp;Thanks Ms. Magazine editors and to Irma McClaurin's work for this most wonderful opportunity in learning to connect with many more readers! &nbsp;</div><div><br /></div><div><img alt="las chicanas small.jpg" src="http://ameliamontes.com/las%20chicanas%20small.jpg" width="320" height="213" class="mt-image-none" style="" /></div><div>Las Mujeres! &nbsp;Mako Fitts, Amelia M.L. Montes, Nicole Guidotti Hernández (who just received tenure--Orale Nicole!)</div><div><br /></div><div><img alt="Kathy Spillar.jpg" src="http://ameliamontes.com/Kathy%20Spillar.jpg" width="640" height="427" class="mt-image-none" style="" /></div><div>Amelia M.L. Montes, Kathy Spillar (Ms. Executive Editor)</div>]]>
        
    </content>
</entry>

<entry>
    <title>Todos Somos Arizona--</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/05/todos-somos-arizona--.html" />
    <id>tag:ameliamontes.com,2010://1.55</id>

    <published>2010-05-01T19:10:50Z</published>
    <updated>2010-05-01T20:00:00Z</updated>

    <summary><![CDATA[The first of May--thousands of people are walking the streets to protest Arizona's legislation which requires police officials to stop anyone who may "look" like an immigrant. &nbsp;This legislation teaches hatred, fear, suspicion. Who "looks" like an immigrant? &nbsp;What does...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="education" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="n1053003570_6329.jpg" src="http://ameliamontes.com/n1053003570_6329.jpg" width="200" height="278" class="mt-image-none" style="" /><div><br /></div><div>The first of May--thousands of people are walking the streets to protest Arizona's legislation which requires police officials to stop anyone who may "look" like an immigrant. &nbsp;This legislation teaches hatred, fear, suspicion. Who "looks" like an immigrant? &nbsp;What does this do except to oppress and discriminate. &nbsp;&nbsp;</div><div><br /></div><div>The United States Immigration Policy Center has years of research to prove that immigrants "are LESS likely to commit crimes or be behind bars than the native-born" (<a href="http://www.immigrationpolicy.org/just-facts/arizona's-punishment-doesn't-fit-crime-studies-show-decrease-arizona-crime-rates">CLICK here for article</a>). &nbsp;</div><div><br /></div><div>My familia, like thousands of other immigrants, came here to escape poverty, war, and today they also come to escape the violence caused by narcotrafficking. &nbsp;They come here to work hard, to begin a new life. &nbsp;In 2009, the CATO Institute conducted a study showing that there could be a $180 Billion dollar benefit to legalizing undocumented workers (<a href="http://washingtonindependent.com/55152/cato-institute-finds-180-billion-benefit-to-legalizing-illegal-immigrants"><b>CLICK here for article</b></a>). The article emphasizes that "simply enhancing border enforcement and applying restrictive immigration laws would actually hurt the U.S. economically." &nbsp;</div><div><br /></div><div>I hope for a country without fear, suspicion, hatred. &nbsp;I hope for a country who places generous and loving creativity first as the way toward sound legislation. &nbsp;</div><div><br /></div><div>May this legislation be reversed soon so that we may truly work toward a sound and productive solution. &nbsp;</div><div><br /></div><div><br /></div><div><img alt="53573752.gif" src="http://ameliamontes.com/53573752.gif" width="400" height="225" class="mt-image-none" style="" /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /> <div><br /></div></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>My Ms. Magazine Experience</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/04/my-ms-magazine-experience.html" />
    <id>tag:ameliamontes.com,2010://1.54</id>

    <published>2010-04-25T15:12:21Z</published>
    <updated>2010-04-25T16:06:28Z</updated>

    <summary><![CDATA[Dear Readers,It's been a while since I've written more regularly. &nbsp;My spring resolution is to stick with two entries a week, no matter how short--to keep connected to you. &nbsp;Thanks as well to your lovely replies to my posts. &nbsp;Earlier...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="immigration" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="race" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="women" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[Dear Readers,<div>It's been a while since I've written more regularly. &nbsp;My spring resolution is to stick with two entries a week, no matter how short--to keep connected to you. &nbsp;Thanks as well to your lovely replies to my posts. &nbsp;</div><div><br /></div><div><img alt="ms_homepage_banner.jpg" src="http://ameliamontes.com/ms_homepage_banner.jpg" width="339" height="92" class="mt-image-none" style="" /></div><div><br /></div><div>Earlier this spring I was chosen as a Ms. Magazine Feminist Scholar. &nbsp;What does this mean?&nbsp;&nbsp;</div><div>Ms. Magazine launched this program because they see a need for feminist scholarship to reach a wider audience. Those of us who are in academia often find ourselves writing our articles and books which only end up being read by other academics. &nbsp;This is a chance to translate our work to the mainstream public for the purpose of change!</div><div><br /></div><div>I'm one of 24 Feminist Scholars chosen this year. &nbsp;Over one hundred academics applied across the country. As one of the scholars, my charge is to write an article (and possibly more in the future) for Ms. Magazine. &nbsp;For the past month, we've been meeting weekly via "webinars," learning all about the history of Ms. Magazine, how articles are queried (the query letters are called "pitches"), and the types of articles Ms. publishes. &nbsp;They also (in the mail) sent us a number of past magazines so we could study and read the articles published in the last five years. In addition to learning all about magazine writing, it's been great getting to know the other feminist scholars through their research and their "pitches." &nbsp;Topics include women judges and the struggles regarding judicial appointments, critiques regarding the film "Precious," how children's toy companies market products for girls such as The American Girl Doll, pesticides and the environment . . .&nbsp;</div><div><br /></div><div>I decided to connect my article to my present research on Latinas on the Great Plains/Midwest, specifically those working in the meatpacking industry. &nbsp;Among the many Latina immigrants who are here, there are groups of Maya women who have formed community and have organized themselves to support and keep each other strong. These women challenge the stereotype that immigrants are helpless individuals who drain our resources and/or are more of a problem rather than a contributing member to our communities. &nbsp;In actuality, "Immigrants pay more than $90 billion in taxes every year and receive only $5 billion in welfare. &nbsp;Without their contributions to the public treasury, the economy would suffer enormous losses" (<a href="http://www.aclu.org/immigrants-rights/immigrants-and-economy">click here for quote citation and more information!</a>).</div><div><br /></div><div>On Friday, April 23rd, <a href="http://www.huffingtonpost.com/2010/04/23/jan-brewer-arizona-govern_n_549290.html">Arizona's Governor Jan Brewer</a> signed legislation that requires all immigrants to carry their immigration papers at all times and also gives police/government authorities directives to search anyone who they may suspect is undocumented--racial profiling as law. The law also considers undocumented workers criminals (<a href="http://www.huffingtonpost.com/2010/04/23/jan-brewer-arizona-govern_n_549290.html">there is more</a>). &nbsp;</div><div><br /></div><div>The United States has a very long (centuries long) history of fearing/hating immigrants (Irish, Italians, Jews, etc.). And when there is a recession, the immigrant becomes the scapegoat for the public's economic frustrations. &nbsp;My article focuses on a specific immigrant group and how they are surviving despite these difficult and painful political events and societal misconceptions. &nbsp;</div><div><br /></div><div>In May, the Ms. Magazine Feminist Scholars will be gathering in Los Angeles to workshop their pieces.&nbsp;I'm sure by then, there will be more to add regarding what is happening in Arizona. &nbsp;</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Artyom Savelyev &amp; Adoption . . .</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/04/artyom-savelyev-adoption.html" />
    <id>tag:ameliamontes.com,2010://1.53</id>

    <published>2010-04-23T03:52:28Z</published>
    <updated>2010-04-23T16:50:48Z</updated>

    <summary><![CDATA[Earlier this month, an adopted boy was placed on a plane bound for Russia. &nbsp;In his pocket was a note from his American "mother" that explained she was not willing to take care of him anymore and announced that she...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="transracial adoption" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[Earlier this month, an adopted boy was placed on a plane bound for Russia. &nbsp;In his pocket was a note from his American "mother" that explained she was not willing to take care of him anymore and announced that she relinquished her parental responsibilities. &nbsp;There has been a lot of coverage on this topic: the Russian government threatening to halt any adoptions out of the country; the U.S. government pleading to avoid a halt; the U.S. blaming the Russian adoption system; Russia blaming the U.S.; new information about many other Russian adoptees being mistreated or killed in the U.S. (<a href="http://www.huffingtonpost.com/2010/04/10/artyom-savelyev-russia-ma_n_532935.html">click here for more info</a>). &nbsp;<div><br /></div><div><img alt="no-longer-letter.jpg" src="http://ameliamontes.com/no-longer-letter.jpg" width="380" height="305" class="mt-image-none" style="" /><br /><div><br /></div><div>Adoption is an ambitious journey for those (child and parents) who are involved and especially difficult when individuals/couples are not prepared --- have not thought out all the various aspects of transracial adoption. &nbsp;<a href="http://cehs15.unl.edu/fsinfo/cehs_pull.php?UserName=jraible&amp;Department=Teaching%2C+Learning+and+Teacher+Education&amp;">Dr. John Raible</a>, an expert on transracial adoption and a professor at The University of Nebraska-Lincoln writes and teaches on this subject. John has really helped me think about the many-layered aspects to adoption. &nbsp;If one seeks to adopt a child from another race, another country--how willing is that parent going to be in immersing herself/himself within that child's racial and ethnic heritage? &nbsp;If the adopted child is Black or Asian and the family is white, how willing is that family to move to a Black or Asian neighborhood so that the parents are forced to work through the discomfort of being the minority rather than the child. &nbsp;These are just two of many questions Dr. Raible raises with individuals/couples who are seeking to adopt. &nbsp;</div><div><br /></div><div>I invite you to read John's blog (<a href="http://johnraible.wordpress.com/articles/learning-from-artyoms-plight/">click here!</a>). &nbsp;It's so important to think through all the complexities involved in transracial adoption. &nbsp;I am thinking of little Artyom Savelyev and thinking about all other adopted children who fear that any minute, they may be placed on a plane, taken away, abandoned all over again. &nbsp;</div><div><div><br /></div><div><br /></div></div></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Lambda Literary Awards!  Orale for our Latina Writers!</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/03/lambda-literary-awards-orale-for-our-latina-writers.html" />
    <id>tag:ameliamontes.com,2010://1.52</id>

    <published>2010-03-16T21:13:48Z</published>
    <updated>2010-03-16T22:51:15Z</updated>

    <summary><![CDATA[Emma Pérez and her novel,&nbsp;Forgetting the Alamo, Or Blood Memory.Kristen Naca and her book of poetry, Bird Eating Bird.Felicidades to two amazing U.S. Latina writers! Their works have just been nominated for the Lambda Literary Awards, also known as the...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="poetry" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="women" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<div><img alt="517ZPoewN3L._SL500_AA240_.jpg" src="http://ameliamontes.com/517ZPoewN3L._SL500_AA240_.jpg" width="240" height="240" class="mt-image-none" style="" /><img alt="Emma smaller pic.jpg" src="http://ameliamontes.com/Emma%20smaller%20pic.jpg" width="198" height="320" class="mt-image-none" style="" /></div><div><br /></div>Emma Pérez and her novel,&nbsp;<i><b><a href="http://www.amazon.com/Forgetting-Alamo-Blood-Memory-Chicana/dp/0292721285/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1268774206&amp;sr=1-2" style="text-decoration: underline; ">Forgetting the Alamo, Or Blood Memory</a></b></i><b><a href="http://www.amazon.com/Forgetting-Alamo-Blood-Memory-Chicana/dp/0292721285/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1268774206&amp;sr=1-2" style="text-decoration: underline; ">.</a></b><div><div><div><br /></div><div><a href="http://www.amazon.com/Forgetting-Alamo-Blood-Memory-Chicana/dp/0292721285/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1268774206&amp;sr=1-2"></a><img alt="Naca small pic.jpg" src="http://ameliamontes.com/Naca%20small%20pic.jpg" width="225" height="320" class="mt-image-none" style="" /><img alt="51O2QJQfvSL._SL160_AA160_.jpg" src="http://ameliamontes.com/51O2QJQfvSL._SL160_AA160_.jpg" width="160" height="160" class="mt-image-none" style="" /><br /><div><br /></div><div>Kristen Naca and her book of poetry, <i><a href="http://www.amazon.com/Bird-Eating-Poems-National-Poetry/dp/0061782343/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1268774476&amp;sr=1-1-spell"><b>Bird Eating Bird</b></a></i><b>.</b></div><div><div><br /></div><div>Felicidades to two amazing U.S. Latina writers! Their works have just been nominated for the Lambda Literary Awards, also known as the "Lammys"-- awarded annually by the <a href="http://www.lambdaliterary.org/datastream/news/03/16/finalists-announced-for-the-22nd-annual-lambda-literary-awards/"><i><b>Lambda Literary Foundation</b></i></a> to honor works that celebrate or explore LGBTQ themes. '"This has been a record year for queer books," said the 2009 Lambda Awards Administrator, Richard Labonté, who has been associated with the Lammys since their inception in 1989 as a judge and consultant. &nbsp;"The number of titles nominated and the number of publishers represented is in both cases about 10 percent higher than last year"' (from the Lambda Literary Foundation page).&nbsp;</div><div><br /></div><div>All the more reason to celebrate Chicana historian, theorist and fiction writer, Emma Pérez' novel, <i><a href="http://www.amazon.com/Forgetting-Alamo-Blood-Memory-Chicana/dp/0292721285/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1268774676&amp;sr=1-2"><b>Forgetting the Alamo Or Blood Memory</b></a></i>. &nbsp;Pérez takes readers to nineteenth-century Texas where Micaela Campos is witness to the 1836 battles of the Alamo and San Jacinto. &nbsp;This is a multi-layered work that reflects our own struggles today with immigration, revisionist history, race, class, and issues of sexuality. This is Pérez's second novel. &nbsp;In 1996, she published her first novel, <a href="http://www.amazon.com/Gulf-Dreams-Emma-Perez/dp/1879960818/ref=sr_1_3?ie=UTF8&amp;s=books&amp;qid=1268776617&amp;sr=1-3"><i><b>Gulf Dreams</b></i></a> (a new 2009 edition is available).&nbsp;<i>Gulf Dreams</i> is a fascinating psychoanalytic coming of age story--also set in Texas. &nbsp;Orale Emma!</div><div><br /></div><div>Kristen Naca's debut work of poetry <a href="http://www.amazon.com/Bird-Eating-Poems-National-Poetry/dp/0061782343"><i><b>Bird Eating Bird</b></i></a> was the winner of the National Poetry Series mtvU Prize (selected by Pulitzer Prize winning poet, <a href="http://www.poets.org/poet.php/prmPID/22">Yusef Komunyakaa)</a>. Her poetry is a tight knitting of sound and rich poignant moments of memory, global in its reach: The Philippines, Mexico, Pittsburgh, Nebraska, and the southwest are reflected. Naca follows other National Poetry Series winners: &nbsp;Dionisio Martinez, Cole Swensen, Mark Levine, Billy Collins. &nbsp;Naca deserves to be among them and there will be more from Naca! &nbsp;Orale Naca!</div><div><br /></div><div>Not only are these women amazing writers and poets. &nbsp;They are also scholars. &nbsp;Both hold doctorates. &nbsp;Dr. Pérez received her PhD in History from UCLA. &nbsp;Dr. Naca received her PhD in English from The University of Nebraska-Lincoln. &nbsp;Currently, Naca is a visiting instructor and a CFD Fellow at Macalester college in Minnesota. &nbsp;Dr. Pérez is Associate Professor of Ethnic Studies at the University of Colorado at Boulder. &nbsp;</div><div><br /></div><div>Before you leave this site, check out Naca's poem, "House" online from <a href="http://www.octopusmagazine.com/issue11/naca.htm">Octopus Magazine!</a>&nbsp;&nbsp;Enjoy! &nbsp;</div><div><br /></div><div><br /></div></div></div><div><br /></div></div></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>March-ing Toward Spring . . .</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/03/march-ing-toward-spring.html" />
    <id>tag:ameliamontes.com,2010://1.51</id>

    <published>2010-03-01T15:24:15Z</published>
    <updated>2010-03-01T16:55:09Z</updated>

    <summary>This is what I&apos;m looking for these days when I&apos;m in our still snow-covered yard--the crocus. I&apos;m hoping I see it soon, and then the Iris will follow! Years ago, a dear friend gave me a print of a crocus...</summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="March" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="spring" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="Crocus .jpg" src="http://ameliamontes.com/Crocus%20.jpg" width="523" height="640" class="mt-image-none" style="" /><br /><div><br /></div><div>This is what I'm looking for these days when I'm in our still snow-covered yard--the crocus. I'm hoping I see it soon, and then the Iris will follow! Years ago, a dear friend gave me a print of a crocus done by the fabulous artist <a href="http://http://www.corita.org/">Corita Kent</a>. &nbsp;On the print, Corita had written in her beautiful calligraphy, "Flowers Grow Out of Darker Moments." &nbsp;From the <a href="http://ameliamontes.com/2010/01/in-the-subnivian-zone.html">"subnivian zone"</a> to light. &nbsp;Yes! &nbsp;</div><div><br /></div><div>So for this little writing, I kept wanting to find the perfect March poem. &nbsp;I think this one, entitled "March" (by <a href="http://www.poets.org/poet.php/prmPID/265">Mary Oliver</a>) certainly goes along with Corita's quotation because it's about the reality of loving, the reality of living. &nbsp;So as we enter the month of March, I give you Mary Oliver's "March."</div><div><br /></div><div>MARCH</div><div><br /></div><div>There isn't anything in this world but mad love. &nbsp;</div><div>Not in this world.</div><div>No tame love, calm love, mild love, no so-so love.</div><div>And, of course, no reasonable love.</div><div>Also there are a hundred paths through the world that are easier than loving.</div><div>But, who wants easier? &nbsp;</div><div>We dream of love, we moon about it, thinking of Romeo and Juliet, or Tristan, or the lost queen rushing away over the Irish sea, all doom and splendor.</div><div>Today, on the beach, an old man was sitting in the sun. &nbsp;</div><div>I called out to him, and he turned.</div><div>His face was like an empty pot. &nbsp;</div><div>I remember his tall, pale wife; she died long ago. &nbsp;I remember his daughter-in-law. &nbsp;When she died, hard, and too young, he wept in the streets. &nbsp;</div><div>He picked up pieces of wood, and stones, and anything else that was there, and threw them at the sea. &nbsp;</div><div>Oh, how he loved his wife. &nbsp;Oh, how he loved young Barbara.</div><div>I stood in front of him, not expecting any answer, yet not wanting to pass without some greeting. &nbsp;</div><div>But his face had gone back to whatever he was dreaming. &nbsp;</div><div>Something touched me, lightly, like a knife-blade. &nbsp;</div><div>I felt I was bleeding, though just a little, a hint. &nbsp;</div><div>Inside I flared hot, then cold. &nbsp;</div><div>I thought of you. &nbsp;</div><div>Whom I love, madly. &nbsp;</div><div><br /></div><div>(from <a href="http://www.amazon.com/White-Pine-Poems-Prose/dp/0156001209/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1267462381&amp;sr=1-1">_White Pine_</a>, page 53)</div><div><br /></div><div><img alt="Iris.jpg" src="http://ameliamontes.com/Iris.jpg" width="640" height="480" class="mt-image-none" style="" /></div><div><br /></div><div>&nbsp;. . . and then the Iris will follow</div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Exposing &quot;The Greatest Silence&quot;</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/02/exposing-the-greatest-silence.html" />
    <id>tag:ameliamontes.com,2010://1.50</id>

    <published>2010-02-28T14:03:42Z</published>
    <updated>2010-02-28T18:48:10Z</updated>

    <summary><![CDATA[Thanks to Professor Basuli Deb and Lecturer, Sonam Singh (University of Nebraska-Lincoln) for helping to bring Lisa Jackson's film, "The Greatest Silence" to our Mary Riepma Ross Theater for the "Women Make Movies" film festival (February 26-March11). &nbsp;In 2003, The...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="education" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="film" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<div><img alt="bunyakiri_main_street.jpg" src="http://ameliamontes.com/bunyakiri_main_street.jpg" width="310" height="235" class="mt-image-none" style="" /></div><div><br /></div><div>Thanks to <a href="http://english.unl.edu/faculty/profs/bdeb.html">Professor Basuli Deb</a> and Lecturer, Sonam Singh (University of Nebraska-Lincoln) for helping to bring <a href="http://thegreatestsilence.org/credits/lisa_jackson/">Lisa Jackson's</a> film, <a href="http://www.facebook.com/video/video.php?v=1009349672381">"The Greatest Silence"</a> to our <a href="http://theross.org/about.php">Mary Riepma Ross Theater</a> for the <a href="http://www.theross.org/wmm/">"Women Make Movies" film festival</a> (February 26-March11). &nbsp;</div><div><br /></div>In 2003, <a href="http://www.spiritus-temporis.com/second-congo-war/">The Second Congo War</a> ("Great War of Africa") that began in 1998, ended with the installation of the "Transitional Government of the Democratic Republic of the Congo." &nbsp;Yet since 2003, rape, murders, malnutrition, disease continue. The latest count since 2008: over 5 million deaths. The photo above is the main street of Bunyakiri, which is known as "The Red Zone" where fighting, brutal rapes and murders are constant. &nbsp;Bunyakiri's population is around 142,000 with only one hospital and 27 poorly staffed, under supplied healthcare units. &nbsp;<div><br /></div><div>Jackson's film focuses on the victims of torture rapes: women who have suffered gang rapes, &nbsp;rifles, knives, brutally shoved into their vagina/uterus, anus--destroying their reproductive organs, destroying their lives, destroying their families, communities, culture. Torture rapes leave their bodies and spirits broken--and this method of brutality is a weapon of war--a war to destroy a culture. &nbsp;It is genocide. &nbsp;Imagine all the children in this area born since 1997. &nbsp;All they have seen and experienced is this brutality. This is all they know. How will they be able to grow up and live peaceful and productive lives? &nbsp;This film legitimates these women as they articulate what happened to them. It is a step toward empowerment for them. &nbsp;For us, it is a step in honoring their voices and helping others become aware of these atrocities.</div><div><br /></div><div>In her article, <a href="http://207.57.19.226/journal/Vol5/No3/art2.html">"Rape and Sexual Abuse of Women in International Law,"</a>&nbsp;Professor of International Law, Christine Chinkin (London School of Economics and Political Science) writes, "Rape in war is not merely a matter of chance, of women victims being in the wrong place at the wrong time. &nbsp;Nor is it a question of sex. &nbsp;It is rather a question of power and control which is structured by male soldiers' notions of their masculine privilege, by the strength of the military's lines of command and by class and ethnic inequalities among women."&nbsp;</div><div><br /></div><div>Even though I live in Lincoln, Nebraska (and you may live in Lincoln or other places in the United States), far away from sites of such brutal conflicts, chances are your city is involved with refugee programs. &nbsp;Since the 1980s, Lincoln has welcomed and resettled 5,500 refugees from Iraq, Kurdistan, Afghanistan, Sudan, Congo. &nbsp;Many of these refugees are victims of torture. &nbsp;(Read Mary Pipher's book, <a href="http://www.amazon.com/Middle-Everywhere-Refugees-American-Community/dp/0156027372/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1267375513&amp;sr=1-1">The Middle of Everywhere</a>.) Maybe your city or town does not have a refugee program. &nbsp;You can still take action--we all can take action----</div><div><br /></div><div>Taking Action: &nbsp;</div><div>(1) SIGN the Petition to pass The International Violence Against Women Act (IVAWA - S. 2982, H.R. 4594): <a href="http://www.womenthrive.org/index.php?option=com?wrapper&amp;itemid=133">Sign Petition Here.</a></div><div>(2) INFORM yourself about the International Criminal Court: &nbsp;<a href="http://www.iccnow.org/">click HERE</a></div><div>(3) Subscribe to the ICC daily synopsis at icc-info-subscribe@yahoogroups.com</div><div>(4) Donate/Keep up with <a href="http://www.womenforwomen.org/index.php">Women for Women International POSTS</a></div><div><br /></div><div>Thank you kind readers! &nbsp;</div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Honoring Writing, Honoring Our Passions</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/02/honoring-writing-honoring-our-passions.html" />
    <id>tag:ameliamontes.com,2010://1.49</id>

    <published>2010-02-26T13:31:30Z</published>
    <updated>2010-02-26T15:39:29Z</updated>

    <summary><![CDATA[Felicidades to my friend and Macondista colleague, Lorraine López--nominated for the PEN/Faulkner Award&nbsp;for her collection, _Homicide Survivor's Picnic and Other Stories_! &nbsp;Lorraine's tightly woven stories are about mujeres who are at the end of their wits, who are imperfect, volatile,...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="students" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="teaching" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<div><img alt="51s8eE8V7IL._SL500_AA240_.jpg" src="http://ameliamontes.com/51s8eE8V7IL._SL500_AA240_.jpg" width="240" height="240" class="mt-image-none" style="" /></div><div><br /></div>Felicidades to my friend and Macondista colleague, <a href="http://www.vanderbilt.edu/english/lorraine_lopez">Lorraine López</a>--nominated for the <a href="http://sitemason.vanderbilt.edu/myvu/news/2010/02/24/lopez-nominated-for-2010-penfaulkner-award-for-fiction.108018">PEN/Faulkner Award</a>&nbsp;for her collection, _<a href="http://www.amazon.com/Homicide-Survivors-Picnic-Other-Stories/dp/1886157723/ref=sr_1_3?ie=UTF8&amp;s=books&amp;qid=1267192856&amp;sr=1-3">Homicide Survivor's Picnic and Other Stories</a>_! &nbsp;Lorraine's tightly woven stories are about mujeres who are at the end of their wits, who are imperfect, volatile, riding on a thin track of hope. With humor and compassion, Lorraine's keen literary precision dissects human failings, bad behavior, screwball triumph. &nbsp;She knows how to &nbsp;reveal the worst in all of us. &nbsp;Check out Lorraine's other wonderful books: &nbsp;<a href="http://www.amazon.com/Gifted-Galbadon-Sisters-Lorraine-López/dp/0446699217/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1267194150&amp;sr=1-1">The Gifted Galbadon Sisters</a> and <a href="http://www.amazon.com/Call-Me-Henri-Lorraine-López/dp/1931896275/ref=sr_1_5?ie=UTF8&amp;s=books&amp;qid=1267194294&amp;sr=1-5">Call Me Henri</a>.&nbsp;<div><br /></div><div>I also want to give a shout out to my lovely film students who are doing a great job in their weekly discussions and writing. Last week, with just minimal preparation, they prepared and performed a strong oral reading of Chicano poet/activist Corky Gonzáles' "<a href="http://www.latinamericanstudies.org/latinos/joaquin.htm">Yo Soy Joaquin</a>." Then we saw the film adaptation of the poem (done in 1969). &nbsp;Their observations of the film version were insightful, fresh. &nbsp;The discussion became even more in-depth when I added the 23 minute "<a href="http://www.wmm.com/filmcatalog/makers/fm258.shtml">Yo Soy Chicana</a>" (done ten years later in 1979) by Sylvia Morales. &nbsp;Morales had received a $5,000 grant while a film student at UCLA. &nbsp;And with that money, "Yo Soy Chicana" became a reality. &nbsp;Later, she received $10,000 for a Spanish version of the film. &nbsp;The students quickly noted the linear, heavily historical aspect to the Morales film while "Yo Soy Joaquin" ascribes to a romantic view with a non-linear presentation. Both are fascinating to connect.&nbsp;</div><div><br /></div><div>Next week, we will be reading the play, _<a href="http://www.amazon.com/Real-Women-Curves-Josefina-Lopez/dp/0871297256">Real Women Have Curves</a>_ in preparation for analyzing how plays are translated to film. &nbsp;My friend and colleague, <a href="http://english.unl.edu/faculty/profs/jcastro.html">Joy Castro</a>, will be entering into the conversation as a guest speaker. &nbsp;She has written on both the play and film version of <a href="http://www.amazon.com/Real-Women-Curves-America-Ferrera/dp/B000AM4P90/ref=sr_1_1?ie=UTF8&amp;s=dvd&amp;qid=1267197531&amp;sr=1-1">"Real Women Have Curves"</a>! &nbsp;Yay for collaborations and literary/film discussions! &nbsp;</div><div>And by the way, if you haven't checked out Joy Castro's website, go GO--<a href="http://joycastro.com/">click here</a>! &nbsp;Check out her blog! &nbsp;</div><div><br /></div><div>Sending you all, lovely readers, good wishes! And felicidades again to Lorraine López!</div>]]>
        
    </content>
</entry>

<entry>
    <title>Temple Grandin &amp; Realizing One&apos;s Gifts</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/02/temple-grandin-realizing-ones-gifts.html" />
    <id>tag:ameliamontes.com,2010://1.48</id>

    <published>2010-02-13T23:17:23Z</published>
    <updated>2010-02-15T03:51:50Z</updated>

    <summary><![CDATA[Amid a flurry of deadlines, more late nights reading/writing/accomplishing tasks--I was very happy to find the time to see the HBO film, "Temple Grandin." &nbsp;Years ago, I had read Grandin's book,&nbsp;Thinking in Pictures, And Other Reports From my LIfe with...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="teaching" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[Amid a flurry of deadlines, more late nights reading/writing/accomplishing tasks--I was very happy to find the time to see the HBO film, "<a href="http://www.templegrandin.com/">Temple Grandin</a>." &nbsp;Years ago, I had read Grandin's book,&nbsp;<a href="http://http://www.templegrandin.com/templegrandinbooks.html">Thinking in Pictures, And Other Reports From my LIfe with Autism</a>&nbsp;(1996) and was immediately taken with how Grandin articulated her gift of visual learning. &nbsp;"One of the most profound mysteries of autism has been the remarkable ability of most autistic people to excel at visual spatial skills . . . (19-20)." Grandin's family/teachers/mentors who encouraged her were key in helping her to develop these gifts so that today she balances two careers. &nbsp;The first is her work as a Professor of Animal Science. &nbsp;Her inventions in livestock-handling equipment design are used nationally. &nbsp;The second, but just as important, are her writings and speaking engagements regarding autism. &nbsp;(<a href="http://www.npr.org/templates/story/story.php?storyId=5165123">Read this great NPR interview with Grandin</a>)<div><br /></div><div><img alt="templearticlepic.png" src="http://ameliamontes.com/templearticlepic.png" width="181" height="211" class="mt-image-none" style="" /></div><div>Grandin did not speak for the first three and a half years of her life. &nbsp;She experienced years of ridicule at school for "acting weird." &nbsp;Initially, doctors who diagnosed her suggested that she be institutionalized for the rest of her life. &nbsp;That would have happened, if it had not been for parents who believed she would learn to speak, read, and write. Thank goodness also for teachers and mentors along the way who did not shy away from her but instead challenged her in and outside the classroom with visual/spatial projects. &nbsp;The key was recognizing her gifts. And for Grandin, the key was to believe she could follow her passions. &nbsp;</div><div><br /></div><div>And this is the key for all of us--to recognize not only our own gifts, our own passions, but those of others. I often &nbsp;either ask or work hard to observe what interests my students, what sparks their passion. &nbsp;Years ago, when I taught high school English, I remember a student I had (1980s) who would sit in the back, did not talk, remained aloof. &nbsp;In my almost 30 years of teaching, I've had many students who fit this description. Teachers either have a choice: &nbsp;(1) ignore and hope the student will remain quiet and will just sit there, or (2) interview, gently coax, and see what happens. &nbsp;I have always chosen the second way. &nbsp;In this case, I interviewed her and found the student counting the days until graduation. She didn't care about barely passing because all she wanted to do was graduate and then drive a truck for a living--see the country. &nbsp;So I encouraged her to learn about trucking and trucks, map out a national route and learn about the various cities/states along that route. And together, we found books on either travel, geography, out-of-the-way trails in certain areas of the country. &nbsp;That's all she did for the entire spring semester before graduation. &nbsp;She rejected my invitation to give a presentation to the class about her findings (and there were many findings!). She remained in the back of the class, but the difference was she never looked bored, there was energy and an alive-ness present--she even smiled and began speaking to other students. &nbsp;She was invested in her passion. &nbsp;</div><div><br /></div><div>When I graduated from high school, I won a number of "English" and writing awards. &nbsp;I was literally surprised and even went to the school counselor to ask why I had been given these awards (yes I was that naive). &nbsp;I had not applied to any of these "awards" or even knew they existed. &nbsp;The counselor looked at me and chuckled, "You really don't know!" &nbsp;Then he explained that no one else had ever taken every single literature and writing class offered at the high school (this high school, at the time, offered a number of electives in English in addition to the required courses) and passed every one of them with the highest scores. &nbsp;"But I just like it," I answered. &nbsp;I suppose I had the idea that an award was something sought or desired and then with much suffering, obtained. &nbsp;I was obsessed with reading and writing. &nbsp;I still am.</div><div><br /></div><div>Then the counselor told me something key. &nbsp;"Keep recognizing and following your passions."</div><div>This single piece of advice has been very important. &nbsp;</div><div><br /></div><div>American cartoonist and graphic novelist <a href="http://dykestowatchoutfor.com/">Alison Bechdel</a> (Author of <a href="http://www.amazon.com/Fun-Home-Tragicomic-Alison-Bechdel/dp/0618871713/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1266171434&amp;sr=1-1">Fun Home: A Family Tragicomic</a>) explains her penchant for writing and drawing as a "positive compulsion" where "you're not only sitting at your computer and writing, you're hunched over your drawing board like a monk." &nbsp;She writes about getting lost in her obsession. &nbsp;</div><div><br /></div><div>Psychologist <a href="http://www.ericmaisel.com/">Eric Maisel</a> writes, "In what sense is it normal to work at a job that constricts you and bores you rather than risking everything on a life that challenges you, even as it frustrates you? &nbsp; Much of what we call normal behavior is simply based on fear. &nbsp;Indeed, the average person might even prefer a negative obsession, despite its horrors, to a positive obsession rooted in excitement, passion, and active meaning-making, so wild and unafraid would she/he feel if she/he were obsessed that way." (Newsletter #28, Oct. 2002)&nbsp;</div><div><br /></div><div>The <a href="http://www.monstersandcritics.com/smallscreen/reviews/article_1531384.php/Temple-Grandin-on-Feb-6-one-of-HBO-s-finest-films-interview-and-review">HBO film on Temple Grandin</a> underlines what Maisel points out regarding fear and positive obsessions. There is the Grandin story but there is also the brilliant work of actor Claire Danes whose gifts allow for Grandin's story to unfold into a riveting film. In her interview with NPR, Grandin says, "I want to emphasize the importance of building on a person's strengths." &nbsp;</div><div><br /></div><div>I often wonder what this world would be like if every person was encouraged to discover and develop her/his own gifts and if each of us were also fearless enough to follow our passions in order to arrive at active meaning-making in our lives. &nbsp;</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>In the Subnivian Zone!</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/01/in-the-subnivian-zone.html" />
    <id>tag:ameliamontes.com,2010://1.47</id>

    <published>2010-01-26T02:53:01Z</published>
    <updated>2010-01-26T14:39:30Z</updated>

    <summary><![CDATA[ Strong currents of whirling wind continue to blow here in Nebraska. &nbsp;But right now, while the wind furiously bats at my windows and plays with our garbage cans (lost one today--who knows where the wind threw it) I remain...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="j0178553.jpg" src="http://ameliamontes.com/j0178553.jpg" width="600" height="398" class="mt-image-none" style="" /> <div><br /></div><div>Strong currents of whirling wind continue to blow here in Nebraska. &nbsp;But right now, while the wind furiously bats at my windows and plays with our garbage cans (lost one today--who knows where the wind threw it) I remain inside, inundated not with snow but with work! &nbsp;My wonderful and brilliant colleague, <a href="http://english.unl.edu/faculty/profs/jcastro.html">Joy Castro</a> (read her <a href="http://joycastro.com/blog/index.html">blog!</a>) calls it being <a href="http://joycastro.com/2010/01/in-the-weeds.html">"in the weeds."</a> &nbsp;It's a good image: prickly, engulfing weeds. &nbsp;</div><div><br /></div><div>I did learn another good word this week that connects with the image of being surrounded or buried in weeds: &nbsp;the <a href="http://www.ed.mtu.edu/esmis/winter/subnivian.html">subnivian zone</a> (also spelled subnivean). &nbsp;This past weekend, for just a bit, the temps rose (wow--the 50s!) and the mountain of snow disintegrated quickly, revealing patches of green grass and green plants. &nbsp;How could that be? &nbsp;Crusty, freezing snow would have surely burned the green tufts to a stubbly brown. &nbsp;Enter the subnivian zone! &nbsp;</div><div><br /></div><div><img alt="snowcover.jpg" src="http://ameliamontes.com/snowcover.jpg" width="440" height="385" class="mt-image-none" style="" /></div><div><br /></div><div>This illustration reveals how deep in the bottom layers of snow, pockets and trails lead to very warm (up to 50 degrees warmer) comfortable living areas for vegetation and small mammals. &nbsp;Voles, grouse, mice, bunnies--all remain comfortably warm in the midst of snowstorms and blizzards. &nbsp;</div><div><br /></div><div>And so, with this image in mind--I say that I am hidden, working hard, in the subnivian zone these days. &nbsp;With campus visitors, teaching, papers, administrative documents to write, faculty meetings to organize--I am, as the illustration reveals--in the depth hoar, below the hoarfrost. &nbsp;What great words! &nbsp;So it's back to work I go and I wish for you a warm night!</div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>What Does It Have To Do With You?</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/01/what-does-it-have-to-do-with-you.html" />
    <id>tag:ameliamontes.com,2010://1.46</id>

    <published>2010-01-23T23:17:13Z</published>
    <updated>2010-01-24T00:13:34Z</updated>

    <summary>These are three Haitian individuals in the aftermath of the earthquake--more than one generation of Haiti looking at the camera. They may look fine and safe but we cannot know the loved ones they have lost, the pain they are...</summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="Haiti" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="earthquake" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="education" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="23480166.jpg" src="http://ameliamontes.com/23480166.jpg" width="320" height="233" class="mt-image-none" style="" /><br /><div><br /></div><div>These are three Haitian individuals in the aftermath of the earthquake--more than one generation of Haiti looking at the camera. They may look fine and safe but we cannot know the loved ones they have lost, the pain they are experiencing. &nbsp;In my last <a href="http://ameliamontes.com/2010/01/mountains-beyond-mountains.html">blog regarding Haiti,</a> the early estimates of fatalities were at 50,000. &nbsp;Now estimates are anywhere from 100,000 to 200,000. &nbsp;And how will Haitians ever know what happened to their loved ones? &nbsp;No one is recording numbers, taking names. &nbsp;The dead are being carted off in bulldozers. &nbsp;Cemeteries cannot hold all the dead. Many are being cremated. It is difficult for me to imagine my partner, mother and father, mother-in-law, my sister, daughter, nephew, my friends carted off in bulldozers. &nbsp;But I try. &nbsp;I feel I must try to imagine this kind of deep anguish in order to have just a faint semblance of understanding--what these individuals are suffering, enduring. &nbsp;People are dying from broken arms, from simple cuts that can be healed quickly with antibiotics. &nbsp;But antibiotics aren't getting there fast enough. &nbsp;</div><div><br /></div><div>Last night George Clooney organized a <a href="http://www.youtube.com/watch?v=j7xYFRV_DY0">telethon</a> which was broadcast from London, New York City, and Los Angeles. &nbsp;Actors read testimonies, singers sang. &nbsp;Sting sang, "How can you say that you're not responsible? &nbsp;What does it have to do with me?" &nbsp;("<a href="http://www.youtube.com/watch?v=u6yiUHqMcig">Driven to Tears</a>"). In my classroom, I often hear "What does it have to do with me?" regarding issues in history or current events. &nbsp;I try to bring my students into a globally-linked framework of thinking. &nbsp;It's so difficult when we are so far away both geographically and mentally. I am hoping that now with texting, Facebook, blogging, skyping, etc.--people will feel more linked, closer, neighborly, connected. &nbsp;</div><div><br /></div><div>Partners in Health and many other medical organizations are awaiting your help: &nbsp;<a href="http://www.standwithhaiti.org/haiti">http://www.standwithhaiti.org/haiti</a></div><div><br /></div><div><img alt="s-HAITI-EARTHQUAKE-large.jpg" src="http://ameliamontes.com/s-HAITI-EARTHQUAKE-large.jpg" width="260" height="190" class="mt-image-none" style="" /></div><div><br /></div><div>I post <a href="http://www.standwithhaiti.org/haiti">Partners in Health</a> because of their longstanding connection and presence in Haiti. &nbsp;Below is a picture of one of their medical doctors inside their makeshift medic tent. &nbsp;Just $5, $10, $25 will contribute in the effort to help them construct many more medical areas and will also help these medical personnel have access to medicines and supplies their patients sorely need. &nbsp;</div><div><br /></div><div>In his song, "Driven to Tears," Sting sings: &nbsp;"My comfortable existence is reduced to a shallow meaningless party/ Seems that when some innocent die/ All we can offer them is a page in some magazine/ Too many cameras and not enough food . . . What's to become of our world/ who knows what to do." &nbsp;I think many people have thankfully responded and for those of us who cannot get out to Haiti, supporting <a href="http://www.standwithhaiti.org/haiti">Partners in Health</a> and other organizations is the answer. &nbsp;</div><div><br /></div><div><img alt="slide_4530_63190_large.jpg" src="http://ameliamontes.com/slide_4530_63190_large.jpg" width="550" height="400" class="mt-image-none" style="" /></div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Mountains Beyond Mountains</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/01/mountains-beyond-mountains.html" />
    <id>tag:ameliamontes.com,2010://1.45</id>

    <published>2010-01-15T04:29:16Z</published>
    <updated>2010-01-15T05:26:21Z</updated>

    <summary><![CDATA[Tracy Kidder's 2003 book (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Could Cure the World) is in focus right now given the horrific tragedy in Haiti. &nbsp;The paperback just came out this past August. &nbsp;The...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="Haiti" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Partner&apos;s in Health" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="earthquake" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[Tracy Kidder's 2003 book (<a href="http://www.amazon.com/Mountains-Beyond-Farmer-Random-Readers/dp/0812980557/ref=sr_1_3?ie=UTF8&amp;s=books&amp;qid=1263529899&amp;sr=1-3">Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Could Cure the World</a>) is in focus right now given the horrific tragedy in Haiti. &nbsp;The paperback just came out this past August. &nbsp;The New England Journal of Medicine published an enthusiastic review of the book and praise for Farmer: &nbsp;"There remains something miraculous about Paul Farmer. &nbsp;Not only is it an enjoyable book, but it is also very likely that a part of the $25.95 (hardcover cost) spent in purchasing it will find its way back to Haiti." &nbsp;Dr. Paul Farmer along with <a href="http://en.wikipedia.org/wiki/Ophelia_Dahl">Ophelia Dahl</a>, and three other doctors/health care workers founded "<a href="http://donate.pih.org/page/contribute/haiti_earthquake?source=earthquake&amp;subsource=homepage">Partner's in Health</a>." &nbsp;Their mission statement: &nbsp;offering a health care organization providing a "preferential option for the poor." &nbsp;And now, more than ever, "<a href="http://donate.pih.org/page/contribute/haiti_earthquake?source=earthquake&amp;subsource=homepage">Partner's in Health</a>" is vital to the people of Haiti. This is one non-profit that is legit. &nbsp;You give them money, it WILL be spent on those who need it. &nbsp;<div><br /></div><div>I've been in 6.0 and above earthquakes. &nbsp;I was raised on jittery Los Angeles ground, tenuous southern California slabs called &nbsp;<a href="http://www.ucmp.berkeley.edu/geology/tectonics.html">crustal plates</a>. &nbsp;In the early morning hours of February 9, 1971, I woke up to find my bed had traveled across the room. &nbsp;I got up and ran/danced to my mother. &nbsp;We clung to each other under the doorframe of my bedroom. &nbsp;I felt the earth beneath me, heard the sound of clattering and smashing dishes, creaking door frames, furniture falling and everything in it or on it, crashing to the ground. As I held on to my mother, with every crashing sound, my whole being wished it over, wished the ground to stop. Realizing that ground is not static is a kind of existential crisis. &nbsp;However, I was in a place where one can survive 6.0 and 7.0 magnitudes of movement because most structures have been built to withstand seismic waves. Fifty eight&nbsp;people died that morning in a city of three million. &nbsp;Haiti, not so fortunate. &nbsp;The latest estimate stands at 50,000 fatalities. &nbsp;Even before this latest disaster, the geographic area has been devastated by deforestation, soil erosion, poverty. &nbsp;</div><div><br /></div><div>Mountains Beyond Mountains. &nbsp;Here's your chance to help. &nbsp;Click on this link to "<a href="http://www.pih.org/home.html">Partner's in Health</a>" and give Dr. Farmer and his health care providers the finances they need to save as many people as possible right now.&nbsp;</div>]]>
        
    </content>
</entry>

<entry>
    <title>Teaching Latino Film---</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/01/teaching-latino-film---.html" />
    <id>tag:ameliamontes.com,2010://1.44</id>

    <published>2010-01-05T03:03:02Z</published>
    <updated>2010-01-06T18:11:30Z</updated>

    <summary><![CDATA[Enough of the weather for now--let's get back indoors to watch films! &nbsp;This semester I am lucky to be teaching "Latinos in Film." &nbsp;We'll be looking at films from the 1930 Talkies to contemporary Latino film and Latinas/Latinos in film....]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="Chicano Studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="film" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="teaching" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[Enough of the weather for now--let's get back indoors to watch films! &nbsp;This semester I am lucky to be teaching "Latinos in Film." &nbsp;We'll be looking at films from the 1930 Talkies to contemporary Latino film and Latinas/Latinos in film. There are so many interesting films, it was difficult to decide which to use and which to put aside for future classes. &nbsp;<div><br /></div><div><img onload="if (typeof uet == 'function') { uet('af'); }" src="http://ecx.images-amazon.com/images/I/51T5Q843ANL._SL500_AA280_.jpg" id="prodImage" width="280" height="280" border="0" alt="Dracula (Spanish) [VHS]" /></div><div><br /></div><div>One early film we'll be discussing is the Spanish language version of "Dracula." Hollywood Director, George Melford filmed two versions: &nbsp;an English language version during the day and a Spanish language version at night (graveyard shift--no pun intended). &nbsp;Lupita Tovar, Mexican American actress of the 1930s whose starring role in "Santa" made her famous on both sides of the border, played the Mina character in the Spanish version. In this film, her name is Eva and unlike the Mina from the English-language version, Eva is much more expressive and dominant and this is interesting considering the era. &nbsp;Don't be misled by the picture above. &nbsp;The character of Eva negotiates power in this film differently from the English version. &nbsp;</div><div><br /></div><div><img alt="lupita_tovar.jpg" src="http://ameliamontes.com/lupita_tovar.jpg" width="400" height="269" class="mt-image-none" style="" /></div><div><br /></div><div><br /></div><div><br /></div><div>The shots are also slower and deepen the tension. In an interview, Lupita Tovar discusses how at 7p.m., they would begin shooting and leave at 7a.m. the next day. &nbsp;Bela Lugosi would arrive on the set much after Lupita had gone home. &nbsp;She never was able to meet him. &nbsp;Many critics have noted that this Spanish language version is a much better film than the one with Lugosi playing Dracula. &nbsp;</div><div><br /></div><div>"Santa," "Dracula," "Salt of the Earth" and on to films like "Real Women Have Curves"--we're just going to have lots of fun including the chance to learn to write a screenplay. &nbsp;More on this soon--as we escape the cold to enter the world of film!</div>]]>
        
    </content>
</entry>

<entry>
    <title>On the Plains, January 2010</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2010/01/on-the-plains-january-2010.html" />
    <id>tag:ameliamontes.com,2010://1.43</id>

    <published>2010-01-04T02:55:53Z</published>
    <updated>2010-01-05T00:32:12Z</updated>

    <summary><![CDATA[A close-up (below) of snow: &nbsp;glittering jewels of crystals. I never played in this stuff during my childhood. &nbsp;The closest comparison I have is the ocean sand that stuck to my ankles, that found itself in elbow creases and between...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="winter" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<div>A close-up (below) of snow: &nbsp;glittering jewels of crystals. I never played in this stuff during my childhood. &nbsp;The closest comparison I have is the ocean sand that stuck to my ankles, that found itself in elbow creases and between toes. &nbsp;Snow was not in my experience until adulthood and this winter, especially, I am having a good share of it. &nbsp;Here in the Great Plains sand does exist but right now it is under translucent jeweled layers of cold. &nbsp;</div><div><br /></div><div><img alt="snow.jpg" src="http://ameliamontes.com/snow.jpg" width="640" height="563" class="mt-image-none" style="" /></div><div><br /></div>A good part of the rose bush (the one I photographed in a <a href="http://ameliamontes.com/2009/12/a-rose-in-winter---.html">previous entry</a>) in our front yard is buried. &nbsp;The faded but hardy petaled bloom is nowhere to be found. &nbsp;We've had over a foot of snow since my last entry and the temperatures continue to remain below freezing. &nbsp;<div><br /><div><img alt="rose bush.jpg" src="http://ameliamontes.com/rose%20bush.jpg" width="640" height="427" class="mt-image-none" style="" /></div><div><br /></div><div>This geographic area feels still, like being inside a snow globe: &nbsp;the earth and those in it forever contained. &nbsp;When I am outside removing the snow from the walkways, the drive, the sound of my shovel against the pavement feels insolent--shattering the rules of winter silence. No loud dancing, festive sounds here but more of a monasterial contemplative air. &nbsp;So I take intermittent breaks, take pictures, observe the plants in-between my rude snow shoveling. I imagine what it must be like in other parts of the world right now where it is summer and the people are barefoot, their bodies dancing in steamy fecund gardens, while I photograph the Milkweed (below). &nbsp;Its pods once softly full with cotton-like filaments that attracted red and orange-winged Monarchs, now hang literally frozen from dead stems. The plant and crown are alive, but what you see here is dead. &nbsp;</div><div><br /></div><div><img alt="milkweed in winter.jpg" src="http://ameliamontes.com/milkweed%20in%20winter.jpg" width="640" height="427" class="mt-image-none" style="" /></div></div><div><br /></div><div>The sideoats grama (below) is also caught in a kind of time warp or embalmed state. &nbsp;I am amazed when I see pictures of this same spot just a few months ago--knowing that by March, April, definitely May--all of this white and cold will transform into buds, green, blooms, dark earth opening. &nbsp;Perhaps I once again write about this because I continue to marvel at the way this area of the world behaves, negotiates the seasons, even welcomes and seems so comfortable with these excessive changes in temperature. There is a beauty to this funereal viewing. &nbsp;</div><div><br /></div><div><img alt="sideoats gramma prairie grass.jpg" src="http://ameliamontes.com/sideoats%20gramma%20prairie%20grass.jpg" width="640" height="427" class="mt-image-none" style="" /></div><div><br /></div><div>Below are two pictures of the same plant this past October and now:</div><div><br /></div><div><img alt="spring show.jpg" src="http://ameliamontes.com/spring%20show.jpg" width="320" height="213" class="mt-image-none" style="" /></div><div><br /></div><div><img alt="winter show.jpg" src="http://ameliamontes.com/winter%20show.jpg" width="320" height="213" class="mt-image-none" style="" /></div><div><br /></div><div>Some of these plants will not return. &nbsp;They are dead or will eventually die, their seeds taking up the places they have left behind. &nbsp;I keep returning to the poet H.D., this time to her poem,&nbsp;</div><div><br /></div><div>"Wash of Cold River" &nbsp;</div><div><br /></div><div>Wash of cold river</div><div>in a glacial land,</div><div>Ionian water,</div><div>chill, snow-ribbed sand,</div><div>drift of rare flowers,</div><div>clear, with delicate shell-</div><div>like leaf enclosing</div><div>frozen lily-leaf, camellia texture,</div><div>colder than a rose;</div><div><br /></div><div>wind-flower&nbsp;</div><div>that keeps the breath</div><div>of the north-wind--</div><div>these and none other;</div><div><br /></div><div>intimate thoughts and kind</div><div>reach out to share&nbsp;</div><div>the treasure of my mind,</div><div>intimate hands and dear</div><div>drawn garden-ward and sea-ward</div><div>all the sheer rapture</div><div>that I would take&nbsp;</div><div>to mould a clear</div><div>and frigid statue;</div><div><br /></div><div>rare, of pure texture,</div><div>beautiful space and line,</div><div>marble to grace</div><div>your inaccessible shrine. &nbsp;</div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sometimes Ya Gotta Jump Off The Train--</title>
    <link rel="alternate" type="text/html" href="http://ameliamontes.com/2009/12/sometimes-ya-gotta-jump-off-the-train--.html" />
    <id>tag:ameliamontes.com,2009://1.42</id>

    <published>2009-12-28T18:16:51Z</published>
    <updated>2009-12-29T03:47:58Z</updated>

    <summary><![CDATA[ I took this picture of the Lincoln, Nebraska airport yesterday morning. Notice the empty gate. A United airplane should have been there with me in it, ready to depart for Chicago. &nbsp;I was on my way to the annual...]]></summary>
    <author>
        <name>Amelia</name>
        
    </author>
    
        <category term="Modern Language Association" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="winter" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://ameliamontes.com/">
        <![CDATA[<img alt="Lincoln airport.jpg" src="http://ameliamontes.com/Lincoln%20airport.jpg" width="640" height="427" class="mt-image-none" style="" /> <div><br /></div><div>I took this picture of the Lincoln, Nebraska airport yesterday morning. Notice the empty gate. A United airplane should have been there with me in it, ready to depart for Chicago. &nbsp;I was on my way to the annual MLA (Modern Language Association) Conference in Philadelphia. &nbsp;This is the annual conference for literary and language scholars. &nbsp;Thousands of scholars (from across the nation as well as outside the U.S.) take up over 15 major hotels in the hosting city every year. &nbsp;I've been going for almost fifteen years. &nbsp;Not this year.</div><div><br /></div><div>At the time I took this picture, the plane was still in Chicago. &nbsp;The United clerk gave me the following scenario: &nbsp;(1) Your plane is still in Chicago (2) Even if it gets here in the next half hour, when you get to Chicago, you will only have 15 minutes to get from Gate C to Gate F (if you know the gates at O'Hare--C to F is much longer than a football field) (3) You'll have to go standby if you can't connect to your Philadelphia flight because all other flights are overbooked. And tomorrow everything is booked too. &nbsp;</div><div><br /></div><div>I can't remember at which point (during his description) that I suddenly felt my body relax, my breathing deepen, heard my voice calmly say, "I'm getting off the train." &nbsp;</div><div><br /></div><div>He looked at me a little confused. &nbsp;"It's a metaphor," I said. &nbsp;"What I mean is--cancel my flight, reimburse me--I'm going home." &nbsp;</div><div><br /></div><div>He said, "Well, you'll make a lot of people who are currently on standby very happy." &nbsp;</div><div><br /></div><div>I turned around and saw one of my colleagues who had obviously arrived much earlier than I looking distraught and talking on the phone. &nbsp;I thought about the graduate students who have a much more invested reason (job interviews at the conference) to run around miles of airport concourses to catch that flight because their professional lives depend upon it.&nbsp;</div><div><br /></div><div>I gathered up my packed bags, left the airport, but stopped on the way out to take said picture above. &nbsp;</div><div><br /></div><div>There are moments, gentle reader, when we have to just step back and say, "What is most important--what really matters?" &nbsp;For me, it mattered to let go and stay home but not without feeling guilty and worried about the paper I was scheduled to give, the editor I had to see, the meetings to attend. &nbsp;Lately, though, I've been making choices by thinking whether or not the "action" I decide to do or not do will have important consequences years from now. &nbsp;I can meet up with the editor later, keep working on this paper, contact colleagues other ways. &nbsp;I've also been thinking about "worry" in the same manner. &nbsp;Does it really matter to "worry" about the possibility that you won't get to point B from where you are at point A. &nbsp;This is nothing new, but lately it's been of much importance to me to breathe deeply, learn to relax more, and just get off the train.&nbsp;</div><div><br /></div><div>More soon . . .&nbsp;</div>]]>
        
    </content>
</entry>

</feed>
